Friday, 25 April 2014

Creative Writing - Marianne's Journal

I don’t dream like I used to when I was with you. Since you’ve left, at night I endure only intense loneliness, pain so harrowing I feel like my chest will cave in and the only thing stopping it from crumbling is the gasps of air that I take between the tears.

I’ve been reminded endlessly that the red washing down the bathtub won’t change the colour of sea yet I still yearn to bask in the cloudy nebulous water that echoes the ocean – and to feel free.

It’s an embarrassment how too many people don’t understand that we are weak and fragile, that once people are broken in certain ways they can’t ever be fixed. It’s something they don’t tell you when you’re young and it never fails to surprise me as I grow older and see the people in my life break one by one. I’m beginning to wonder when my time is going to be, or has it already happened?


Uncounted times I would lay awake and visualize the stars above my head, wondering if somewhere else in the world you’re also thinking about the same cluster of bright lights, envious of how lucky they are to be so beautiful up there while everything down here is so ugly. The twinkling of the star light mimics the same ambiguous intensity as looking into your eyes, the simultaneous invasion of both vulnerability and safety – an oxymoron in your eyes, how cliché – true opia with your pupils glittering at me, bottomless and opaque. Suspended in time, I couldn’t tell if I was looking in or looking out.

I never lied much, but one that really shamed me was how I convinced you of the only obsession everyone wants: to be in love. Because everyone thinks that falling in love makes them whole, the platonic union of souls, but the truth is it’s not like that. We were whole before it all began in the great scheme of things, then love fractured us and tore us apart.

It’s taken me so long to realise that each passer-by is living a life as vivid and complex as my own –populated with their own ambitions, routines and worries. An intricate story that continues invisibly around you like an anthill sprawling deep underground, with elaborate passageways to thousands of other lives that you’ll never know existed, in which you might only appear once, as an extra sipping coffee in the background, as a blue of traffic passing on the motorway, as a lighted window at dusk. You used to be my sonder.

Even though time passes painfully slowly, the desire to hold on is still there, like trying to keep your grip on a rock in the middle of a river, feeling the weight of the current against your chest while your elders float on downstream, calling over the roar of the rapids, I mime the words to myself, no sound escapes my mouth.. “Just let go—it’s okay—let go.”


Yours truly, Marianne.


Tuesday, 22 April 2014

Recent Image Creations

Experimenting



Above: Both my own images, an overlay of the view from Southworld Lighthouse and blossoming flowers in Stowmarket.






Above: My own image of bees in The Natural History Museum overlay with Bon Iver album Cover.





Above: My own image of found wasp overlay with found image of mountains.


Monday, 21 April 2014

Zach Anner - Motivation Inspiration


We all (unfortunately) have those days, weeks and sometimes even months of subdued attitudes and outlooks to everyday life. It's normal for moods to ebb and flow, fluctuate and calm, but sometimes it can be overwhelming to find yourself feeling stuck in a rut of the same repetitive routine scattered with stress, anxiety and uncertainty.

From the last few weeks I have learnt that if and when you respect the vessel that propels you from A to B - you will be rewarded. You simply cannot treat old habits, outlooks and perspectives like your favourite jumper; it's a part of you but it's wearing thin at the elbows doesn't really fit any more but you just don't have the heart to throw it out. All that is required is an open mind and an open heart to allow the growth process to take effect.

Zach Anner is one of the most inspirational people I have ever seen and I am absolutely fascinated by his attitude and response to his disabling condition of cerebral palsy. Zach's youtube features videos such as Work Out Wednesdays - Zach puts so much effort into doing simple tasks like just getting out of his wheel chair or taking a few steps with little help, all whilst speaking words of motivation voiced through sarcasm and satire of his own condition.

"Don't focus on your limitations. Stevie Wonder was blind but did he ever write a song about it? No."


The underlying moral is as cheesy as it is - your outlook on today, tomorrow and even yesterday is crucial to attitude to everything you do. 


Monday, 7 April 2014

The Grand Budapest Hotel - Wes Anderson

I finally got the chance to see Wes Anderson's latest quirky, cutesie, cinematic masterpiece and it definitely followed suit to the typical Wes Anderson style; beautiful scenes, an amazing script and complete with cameos especially for the hardcore Wes fans.



As per usual each and every scene was faultless, if not completely symmetrical then bloody close to it as possible, with the most gorgeous colour schemes!

The film was slightly different to the rest of Wes' collection due to the fact (the very, very very VERY lovely) Jude Law acted as sort of a narrator, for another narrator, narrator inception. Although, because of this, I think the story was a lot easier to grasp and also made it more mainstream so perhaps that factors into why The Grand Budapest Hotel was such bit hit in comparison to all of Wes Anderson's other films such as Moonrise Kingdom or The Darjeeleeing Limited.

And, my God did Ralph Fiennes did a brilliant job as part of the duo protagonist team, partnered with Tony Revolori with his hilariously skinny drawn-on moustache.


Jason Schartzman also made another appearance, along with Bill Murray (OF COURSE), Owen Wilson and Ed Norton as part of his regular cast. Willem Defoe also did a brilliant job, playing a character slightly reminiscent of his green goblin days - a bit evil and menacing. 

The film was rather fast paced, I think it could have done with maybe another half an hour, spaced things out a bit more, but all in all it was bloody phenomenal.

From watching Wes' films, a formula seems to come to fruition; each and everyone one seems to have it's own quirky personality and feel to the film, to the script and to the characters, their worlds seem so perfectly imperfected but we wouldn't want them any other way. With each storyline so different, they submerse the viewer scattered with the driest, cleverest of humour crescendoing to a deep and dark moral.

What did I take away from the film? 

I want to be a lobby boy

 

Wednesday, 26 March 2014

Her - Best Film Quotes

Both Joaquin Phoenix and Scarlett Johansson's husky voice have got me obsessed.

These are some of the best quotes from the film

"Sometimes I think I have felt everything I'm ever gonna feel. And from here on out, I'm not gonna feel anything new. Just lesser versions of what I've already felt."
"It's like I'm reading a book... and it's a book I deeply love. But I'm reading it slowly now. So the words are really far apart and the spaces between the words are almost infinite. I can still feel you... and the words of our story... but it's in this endless space between the words that I'm finding myself now. It's a place that's not of the physical world. It's where everything else is that I didn't even know existed. I love you so much. But this is where I am now. And this who I am now. And I need you to let me go. As much as I want to, I can't live your book any more."
"I can feel the fear that you carry around and I wish there was... something I could do to help you let go of it because if you could, I don't think you'd feel so alone anymore."

Her - A Film Review (sort of)

Being a complete film fanatic/anti social hermit has it's pros; there are so many films that people say (cliché-esc-ly) have changed their lives and who they are. To some extent I agree with this, but not so melodramatically.  

The most recent film that has overwhelmed me (and my cat)-


Her - with Joaquin Phoenix 2013




Her (2013) Poster

Theodore falls in love with his intelligent operating system -  on-line dating with the voice of Scarlett Johansson, you'd be mad to say no, surely? 

Joaquin Phoenix has a strange creepy loveable charisma to him, the moustache, the clothes, the voice, the glasses, everything about him screams "seemingly weird but possibly the sweetest man alive". He admittedly reminds me of Kip, the nerdy brother from Napoleon Dynamite, but less weedy and more naively romantic, complete with ukulele playing and lullaby-like singing.

The soundtrack is absolutely beautiful, if you're suffering from a music block, like me, I advice you listen to "Off You" by The Breeders, along with the rest of the film's memorising soundtrack which also features a few tracks from the new Arcade Fire album.

I wish I could personally thank the writer and director of this film, Spike Jonze -  because every single script is quotable, each character's lines is so gorgeously emotive it makes you feel so utterly involved in this raw and real relationship. I can't wait to type out those epiphany evoking words for a separate post, prepare yourself.

I can fully understand why this isn't everybody's cup of tea and I am so glad I watched this on some ambiguous, unsafe streaming website at home as opposed to in a cinema with other people - unless you really enjoy listening to Scarlett Johansson climaxing in the presence of 50 strangers (perhaps you do, each to their own), you might find a few scenes slightly uncomfortable and unconventional, but this part of what made the film so touching. For me, this seemed more of a 'watch-on-your-laptop-with-your-cat-and-maybe-snack-on-some-Ben-and-Jerry's-or-a-banana-if-you're-trying-to-be-healthy' type of film, not really the best thing to watch and attempt understand with you family on the sofa.

This is a very cleverly put together piece of media, perfect if you're into indie (really indie) films that are a bit confusing with no real beginning or defined conclusion. It's face value and aim is not to entertain, it is to provoke and make the audience feel and think and spiral out from their monogamous everyday patterns, with the luxury of an incredible soundtrack. 

The concept is one I am going to be fascinated with for at least the next fortnight, expect many more posts regarding Theodore's 'Letters from your life'.

"Whatever someone you become, wherever you are in the world: I'm sending you love"