Monday 30 June 2014

Elders Project – “Do not go quietly into that good night but instead rage against the dying of the light”

The following is a piece of writing that I had written for my last unit of A-Level Art, using the theme of Growth and Evolution - focusing on the elderly and mental decay. I feel that it is a window into the world of dementia and care work, I hope it as powerful and eye opening as I wanted it to be and I appreciate anyone taking the time to fully read and comprehend morals that I am trying to convey.


I have constructed an external piece of work from an internal connection of developing my own individual sense of age and growing older, this has been heavily influenced by my place of work and the people I have been fortunate enough to meet and learn about. I have decided to focus on the concept of nostalgia, personal memories and life achievements in relation to the theme of growth and development of individual’s lives, including exploring aspects of sentimentality and mental decay within humans.

I decided to examine and investigate these themes of the philosophy of age correlating to intimate details of individual’s lives at the care home that I currently work at because since working there I have been introduced to completely new style of viewing the world that we live in and how we spend our time here. I have been in contact with so many individuals and characters who are sadly affected by dementia in a variety of ways, their behaviour and mental states have inspired me to express my own thoughts and perspectives using a medium that I hope reaches out to others and highlights the heartache I at times experience.

Many of the residents that I work with have decaying memories, there are a handful of people who regularly forget they are a resident, living at the care home with their own room and have been so for a number of months or even years. During my teatime shifts, after clearing up and cleaning the dining rooms, there are a few of the residents who consistently ask questions such “When is the next bus home?” or “Can you let me out to my car?” - thinking that they have just finished a meal in a cafĂ©. One lady in particular who does this is Ellen, she regularly asks when the next bus to East Sheen is, a place in London she used to live. Carers repeatedly explain to Ellen that she has a room at the home and is to stay the night, and that there is no ‘bus to East Sheen from Stowmarket’. Ellen often becomes very distressed and confused, clarifying that she must return home to see her mother, unable to comprehend the situation.

Andy is also another resident who lingers around the main entrance, determined to leave. Andy often paces about near the windows, peering outside at the cars and then asking if he can be let outside to have a look at the cars and see which is his, of course none are. Andy is an individual that has been significantly aggressive in the past, demanding to let out to return home, he constantly pleads to staff that he “has a family to go to” and cannot understand why we are unable to let him out without one of his relatives. 

Seeing these people grow so distressed, delirious and so adamant on disheartens me and is something I find very saddening to see, it is sometimes visible to see their minds ticking over – their thought processes as they become more and more anxious and agitated.

Palliative or ‘End-of-life’ care is also a system that takes place at the home, many of the residents and their families decide that they want their relative to pass away peacefully at the home, whether that be with the aid of hospice nurses to administer the appropriate medication or also the staff who they know well and who care for them. This process highlights the philosophical theory of transience and entropy, theories of which focus on the gradual decline into disorder and stating how all is lasting for only a short time.

These ideas bring me to a quote that Rilke said regarding the impermanence of life and everything in it; “One day all of this is going to die, all these trees and all these plants, all this life is going to decay. Everything dissolves in meaningless.” This quote also relates to theories of entropy, hinting at how there is a sadness to ecstasy and happiness – that we love harder and squeeze harder, pretending that we don’t care that everything and everyone we know is going to be taken away from us.

I would like to end by recalling a quote from Dyan Thomas, of which has been one of the main hymns to my creative writing “I will not go quietly into that good night but instead will rage against the dying of the light” In my works I have altered the first few words slightly, changing it to “Do not”, as if to add a sense of guidance or advice in response to experience of working at the care home. This phrase conveys a strong meaning of not being passive to the world around us – to take every opportunity and make the most of the cards we have been dealt.

Life exists in individual moments and it is up to us to make sure they are vast, interconnected and grand, and these are sentiments that I have learnt through my own personal development, assisted by all the people in my life. Using Annie Chapman as an example, an individual who despite her dementia is still able to recall memories that have significant meaning to her, illustrating how important moments and meaningful events can be so symbolic that they are retained in the mind always.

Monday 23 June 2014

Half Nelson and Cinematography

After seeing that it got an 85/100 Metascore on IMDB, I had to give Half Nelson a go, it had always caught my eye but the Sky blurb dubbed it something that didn't particularly appeal to me, and by the way it has gone under the radar for 8 years seemed unjust to me.

Then again, those 'un-popular' films that no one really talks about are always the best, they're so different to the huge mainstream blockbusters that allow you to leave the cinema or turn the telly off thinking - that was cool - when really a film should leave you thinking about the inner personal impact that the film has affected you with.

Half Nelson concerns a teacher, Ryan Gosling, at an inner-city school. This film has immediate reflections of Ryan's other surprisingly very Indie film Drive - as well as having spectacular soundtracks, both films almost glorify certain lifestyles, holding a mirror up to society and saying 'this is us, this is what we're doing'. Whether they're illustrating mature themes of drug abuse or simply just volatile relationships, Indie films present our lives in ways that big budget blockbusters can't.

This film is a prime example of a piece of beautifully crafted cinematography that shows an audience the transformative power of cinema, how a film can awaken us and imprint itself on our conciousness simply through it's images and words.

I believe that films should cause us to lose ourselves and find ourselves and create cartography for the mind, and this film does just that.