Tuesday, 29 December 2015

Andrea Gibson - The Jewelry Store

At the jewelry store, where shiny pieces of glass rest in shiny rings of metal that shine just like the nickels I spent on pop-rocks at Chick’s candy-store
 The woman behind the counter with the burlap skin and the wind-proof hair looks up from her nail file and tells my mother I am one adorable little boy.

Immediately, I brace for impact, for the car ride home and the litany of things we will do to fix me. 
That night after dinner I dig to the bottom of my fire-red toy box and I find the doll with the golden hair. 
I cradle her in my arms and I wait for my mother to see me. 
When she does she smiles so big, I decide love is a silent auction and I am worth more sold. 


They wanna make us something. 
They wanna tooth pick our bones and keep us between their teeth. 
My teeth use to be so crooked they were the only thing the kids made fun of more than the crooked way I dress, walk, talk. 
Listen, I am tired of wearing braces.

From my burning temples to my cold feet
from the slack in my rope to the machine in my heart beat. 
Every closet is a Russian doll with another inside. 
By the time my mother finally found the words to call me her gay daughter, I was searching for the nerve to describe the son in my eyes. 
The shadow of the boy I might be or the boy I might still love, for the official gay record. 
I never left him. 
He left me because of the mirror I was. 
Because the pretty had the hold on his own arm to find a home in his own skin.

In New York city, I searched for the home in my own skin 
when a woman grabs me by the neck of my coat and drags me from the ladies room like a dog on a chain and I am torn. 
Between confused gratitude and the urge to bark my pretty name into her face till she can taste the smoke of my father’s pink cigar. 
Lady, do you have any idea how many scars I already have in the shape of this boxing match? 
I do not wear a Welcome mat on my chest just so you can walk all over it. 
Fumbling with the keys to the locks they keep building 
for the doors I keep opening hoping someone will see the rain-forest growing in my living room. 
See how many ecosystems can exist in one redwood tree.
Maybe, what you think is a tough fist is just a tired ballerina curling her arms around her knees. 
Either way, I can guarantee a haircut will never tell you anything about someone’s gender, who they love, or how they fuck. 
But I’ll keep growing out my short temper 
for the next time I have the “opportunity” to tell someone in my queer community, “Look, that I am about as butch and a Swedish male figure skater” 
As for dyke, I will happily dance in that music box for tonight, 
but tomorrow when I pull the word faggot from the shotgun of a frat boy’s throat 
then send it in a love letter to my love so she can scratch it down my back
Please believe, I am taking back every bible belt that has ever cracked against my spine. 
Every night, I drove through Kansas with, I swear to god, a pink barrette in my fucking pocket in case I had to split second decide if woman would be safer armor than this, 
His flashing blue lights give me ten seconds to pick what target he’ll be less likely to miss. 
Officer, I’d be willing to bet those arrows would look a whole lot sharper in my cupid hands than in the dull hatchet of your hate. 
Than in the way you spit the word “ma’am” down my throat like I might swallow it in the same gulp as my pride. 
Before you decide who I am, remember pride, that’s my parade. 
Built from the fairy wings of boys who bulldozed your barricades the day you claimed AIDS was a gift of God.

Our wheels, started spinning like Christ turning over in his grave. 
For every holy-knuckled genderbender trans-kid who’s taken a knife blade to the gut. 
Every blood hound that ever sucked on her pronoun like her self-given name was not a stained-glassed cathedral. 
Their tired boots could only pray to find soul enough to touch.

Now ask me what I am, I’ll tell you all of the above and none of what they’ve ever listed. 
I will say I have never cared to be nearly as much as I cared to become. 
We are all instruments pulling the bows across our own lungs. 
Windmills, still startling in every storm. 
Have you ever seen a new born, blinking at the light? 
I wanna do that every day. 
I wanna know what the kite called itself when it got away, when it escaped into the night.
That jewelry case, a sparkling star, with the face of the moon, is always winking at some adorable little boy with a pink cigar.

Feed this to your ears.

This is my list of the best music I have heard this past few weejs, please don't judge me. So specific order. I can't recover my spotify playlists.

Tame Impala - The Less I Know The Better

Sticky Fingers - Gold Snafu

Matt Corby - Monday

Multi-Love - Unknown Mortal Orchestra

Eden - Wake Up/End Credits/ Gravity/Nocturne

SPOKEN WORD

Hotel Books - EVERY SINGLE ALBUM

Andrea Gibson - Letter From My Dog/ Blood Bath/ Royal Heart/ Sleeping/ The Jewelry Story




Tuesday, 14 October 2014

6 Weeks in - South East Asia



Yesterday marked 6 weeks since we left England and it's hard to say that I have been missing home. Although Dubai, our first stop, was the entire opposite of dreary Stowmarket, the novelty of leaving home was present throughout. 

What we did manage to eat in the searing heat was amazing; authentic Pakistani food, shake-shake burgers and the best guacamole, all washed down with still lemonade.

Our first nights in Thailand were eye-opening. Bangkok lives up to the hype, Khoa San road was just as described on The Beach. There is always a horrible smell in the air wherever you go, a mixture of sewage, rancid eggs and cat piss.

We headed South as soon as we could; a night bus to Surattani to catch a boat to Ko Samui, an 18 hour journey which Noah had his passport stolen on. Despite the stress, we managed to have a good time on paradise island.


On Thursday 2nd October we arrived in Cambodia, noticeably different from Thailand because of poverty. We zoomed past shacks and shelters with anaemic looking cows tied to the building. Children with no shoes or shirts, playing in dirty lakes, yet everyone seems content.

The first thing we do in Siem Reap was the temples, a German named Michael from our dorm asked if we wanted to do the big circuit in a shared tuk-tuk, we agreed not knowing it would be a 10 hour day trip starting at 5AM. At the very last temple, I sat at the bottom and spoke to one of the locals selling temple rubbings. There are countless Cambodians at the temples selling useless things; bracelets, scarves, flutes. I always attempt to have a conversation with them - weed out information about their day, their families, not just how much they are selling a bottle of water for. 

The man selling the temple rubbings was Mr. Huon Sokheng, he spent all day trying to flog the art work to make money not just for his wife and three children, but also for the small English classes he ran for orphans. I know this wasn't a bogus story because later in the month I met his wife, three children and also the classes of the Helping Orphans and Arts Association (H.O.A).



Next was Phnom Penh, most vivid for me because of the cat cafe but also the killing fields and S21. I began the day ignorant of Cambodian history and ended having learnt so much, it was a very peaceful yet powerful experience that I will never forget.

Soon we made our way to the coast, Sihanoukville, no where near as luxurious as Ko Samui, but still an adventure, lemon ice tea included.

Now we are back in Siem Reap, teaching at H.O.A in the evenings as volunteers, soon to be travelling over to Vietnam.



Monday, 30 June 2014

Elders Project – “Do not go quietly into that good night but instead rage against the dying of the light”

The following is a piece of writing that I had written for my last unit of A-Level Art, using the theme of Growth and Evolution - focusing on the elderly and mental decay. I feel that it is a window into the world of dementia and care work, I hope it as powerful and eye opening as I wanted it to be and I appreciate anyone taking the time to fully read and comprehend morals that I am trying to convey.


I have constructed an external piece of work from an internal connection of developing my own individual sense of age and growing older, this has been heavily influenced by my place of work and the people I have been fortunate enough to meet and learn about. I have decided to focus on the concept of nostalgia, personal memories and life achievements in relation to the theme of growth and development of individual’s lives, including exploring aspects of sentimentality and mental decay within humans.

I decided to examine and investigate these themes of the philosophy of age correlating to intimate details of individual’s lives at the care home that I currently work at because since working there I have been introduced to completely new style of viewing the world that we live in and how we spend our time here. I have been in contact with so many individuals and characters who are sadly affected by dementia in a variety of ways, their behaviour and mental states have inspired me to express my own thoughts and perspectives using a medium that I hope reaches out to others and highlights the heartache I at times experience.

Many of the residents that I work with have decaying memories, there are a handful of people who regularly forget they are a resident, living at the care home with their own room and have been so for a number of months or even years. During my teatime shifts, after clearing up and cleaning the dining rooms, there are a few of the residents who consistently ask questions such “When is the next bus home?” or “Can you let me out to my car?” - thinking that they have just finished a meal in a cafĂ©. One lady in particular who does this is Ellen, she regularly asks when the next bus to East Sheen is, a place in London she used to live. Carers repeatedly explain to Ellen that she has a room at the home and is to stay the night, and that there is no ‘bus to East Sheen from Stowmarket’. Ellen often becomes very distressed and confused, clarifying that she must return home to see her mother, unable to comprehend the situation.

Andy is also another resident who lingers around the main entrance, determined to leave. Andy often paces about near the windows, peering outside at the cars and then asking if he can be let outside to have a look at the cars and see which is his, of course none are. Andy is an individual that has been significantly aggressive in the past, demanding to let out to return home, he constantly pleads to staff that he “has a family to go to” and cannot understand why we are unable to let him out without one of his relatives. 

Seeing these people grow so distressed, delirious and so adamant on disheartens me and is something I find very saddening to see, it is sometimes visible to see their minds ticking over – their thought processes as they become more and more anxious and agitated.

Palliative or ‘End-of-life’ care is also a system that takes place at the home, many of the residents and their families decide that they want their relative to pass away peacefully at the home, whether that be with the aid of hospice nurses to administer the appropriate medication or also the staff who they know well and who care for them. This process highlights the philosophical theory of transience and entropy, theories of which focus on the gradual decline into disorder and stating how all is lasting for only a short time.

These ideas bring me to a quote that Rilke said regarding the impermanence of life and everything in it; “One day all of this is going to die, all these trees and all these plants, all this life is going to decay. Everything dissolves in meaningless.” This quote also relates to theories of entropy, hinting at how there is a sadness to ecstasy and happiness – that we love harder and squeeze harder, pretending that we don’t care that everything and everyone we know is going to be taken away from us.

I would like to end by recalling a quote from Dyan Thomas, of which has been one of the main hymns to my creative writing “I will not go quietly into that good night but instead will rage against the dying of the light” In my works I have altered the first few words slightly, changing it to “Do not”, as if to add a sense of guidance or advice in response to experience of working at the care home. This phrase conveys a strong meaning of not being passive to the world around us – to take every opportunity and make the most of the cards we have been dealt.

Life exists in individual moments and it is up to us to make sure they are vast, interconnected and grand, and these are sentiments that I have learnt through my own personal development, assisted by all the people in my life. Using Annie Chapman as an example, an individual who despite her dementia is still able to recall memories that have significant meaning to her, illustrating how important moments and meaningful events can be so symbolic that they are retained in the mind always.

Monday, 23 June 2014

Half Nelson and Cinematography

After seeing that it got an 85/100 Metascore on IMDB, I had to give Half Nelson a go, it had always caught my eye but the Sky blurb dubbed it something that didn't particularly appeal to me, and by the way it has gone under the radar for 8 years seemed unjust to me.

Then again, those 'un-popular' films that no one really talks about are always the best, they're so different to the huge mainstream blockbusters that allow you to leave the cinema or turn the telly off thinking - that was cool - when really a film should leave you thinking about the inner personal impact that the film has affected you with.

Half Nelson concerns a teacher, Ryan Gosling, at an inner-city school. This film has immediate reflections of Ryan's other surprisingly very Indie film Drive - as well as having spectacular soundtracks, both films almost glorify certain lifestyles, holding a mirror up to society and saying 'this is us, this is what we're doing'. Whether they're illustrating mature themes of drug abuse or simply just volatile relationships, Indie films present our lives in ways that big budget blockbusters can't.

This film is a prime example of a piece of beautifully crafted cinematography that shows an audience the transformative power of cinema, how a film can awaken us and imprint itself on our conciousness simply through it's images and words.

I believe that films should cause us to lose ourselves and find ourselves and create cartography for the mind, and this film does just that.


Friday, 16 May 2014

Flower Pressing


I have recently been working on flower pressing for my current A Level Art Unit, I am so pleased with the results - weeks and weeks of patience has finally paid off!

Specimens have carefully been layed onto scanner - 









Monday, 28 April 2014

20 Films That Have Influenced Me

Pulp Fiction - Quentin Tarrintino -1994

Drugs, Dancing, and Samuel L. Jackson 

Eternal Sunshine of The Spotless Mind - 2004

Jim Carrey plays a more serious role with Kate Winslet, beautifully crafted and forever quotable.

Moonrise Kingdom - Wes Anderson - 2012

Two young teenagers run away and survive on scout knowledge and young romance... for about 24 hours.

The Darjeeleeling Limited - Wes Aderson - 2007

Owen Wilson and Jason Schwartzman are back, and quirky and confusing as ever.

The Truman Show - 1998

Again, Jim Carey in a much more serious role but still with elements of humour. One of those films that will completely change your perspective on things. With an incredible crescendo of an ending.

Youth in Revolt - 2009

Had to include a Michael Cera classic! Cera at his possibly most awkward, but still handsomely awkward.

500 Days Of Summer - 2009

Before everybody fell in love with Zooey Deschannel, we watched some poor soul go through the motions, and that poor soul was Joseph Gorden-Levitt. Every 15-19 year old girl's dream.

Spirited Away - Hayao Miyazaki - 2001

Studio Ghibli do it again, an absolute gem, anime at it's best. Heart-warming and beautifully made.

Fight Club - 1999

Cult classic and definitely lives up the hoo-har, Brad Pitt is amazing, Helena Bonham Carter is amazing, the script is amazing and everyone on Earth needs to see this film. Plus Pixies TUNE at the end.

Catfish - 2010

Before the spin-off show! Regardless of your opinion of the MTV show, this film is so so so much better, the original, the real deal that is so niche and different. Stop watching MTV, also.

Django Unchained - 2012

Quentin Tarrintino bangs out another masterpiece, following suit to all his other creations; guns, blood and a lot of N-word use.

Her - 2013

I love Joaquin Phoenix I love Joaquin Phoenix I love Joaquin Phoenix and Scarlett Johansson's voice is to die for!

Rushmore - Wes Anderson - 1998

"I saved Latin, what did you ever do?" Jason Schwartzman still has braces and Bill Murray is starting to look old.

Juno - 2007

Ellen Page and Michael Cera and Kimya Dawson's lovely soundtrack

The Wolf of Wall Street - 2013

HOW DOES LEONARDO DICAPRIO NOT HAVE AN OSCAR???????!!!!!!!!!!!!!!!!!!
Also, Jonah Hill looked FAB.

Black Swan - 2010

In my opinion should be rated much high in IMDB's top 250, as well as higher in many peoples opinions because this film is so captivating and unfortunately too many people only remember it for the Mila Kunis/Natalie Portman sex scene. Which is very unfair.

Donnie Darko - 2001

Another cult clasic, it's so difficult to distance yourself from the events and thesis' in the film from reality. Well worth watching, definitely not when high.

Howl's Moving Castle - Hayao Miyazaki - 2004

Another Studio Ghibli masterpiece, not enough people appreciate these kind of anime films.

American History X - 1998

So many people highly prized this film and I never understood how or why, until I properly sat down and watched it. Ed Norton does a brilliant job and my full respect and appreciation goes out to everything this film stands for and represents.

The Departed - 2006

Leonardo DiCaprio, Mark Wahlberg AND Maaaaatttt Daaaamooooon! I think I need to see this again because there's still a few things that didn't make sense to me but despite that, it still stood out as an extremely cleverly crafted film.